Editing Episode 183: "Starship Truthers"

Jump to: navigation, search

Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then save the changes below to finish undoing the edit.
Latest revision Your text
Line 27: Line 27:
 
==Monologue Transcript==
 
==Monologue Transcript==
  
''Transcription by Amy''
+
183 Steve Hammel September 12, 2014
  
 
Hi everybody it’s Julie Klausner back for another episode of HWYW.  Happy 9/11.   
 
Hi everybody it’s Julie Klausner back for another episode of HWYW.  Happy 9/11.   
 
 
There are a couple of 9/11 related things you’ll be happy about.   
 
There are a couple of 9/11 related things you’ll be happy about.   
  
Line 60: Line 59:
 
It moved me.  I have to say.  His speech was so true.  He said, “Even though she was 81 it seemed like she’s gone way too soon.”  It’s true. A big fuck-up.  A big mistake Joan Rivers dying, don’t tell me that it wasn’t.  Howard Stern spoke and then Deborah Norville took the stage and talked about her husband Carl a lot. Deborah Norville was friends with Joan and they used to go on vacations together.  It did not feel like a funeral, it felt like a celebration of Joan’s life.  Not that it wasn’t somber, people were sad. On 9/11 I don’t want to say that an 81 year-old passing away was tragic, but it really was horrible. Is that better than tragic?  Does tragic denote things that are aberrant?  I don’t think it was meant to happen with Joan.  I have all of these ideas, they call it ‘shoulding’.  I have a lot of ‘shoulds.’ You can always tell when it’s somebody’s time, like Michael Jackson. I don’t mean to sound callous but I’m so glad he’s dead. Thank god.  He had suffered for at least ten years too long.  He was done.  When he passed, oh thank god! Now we can begin.
 
It moved me.  I have to say.  His speech was so true.  He said, “Even though she was 81 it seemed like she’s gone way too soon.”  It’s true. A big fuck-up.  A big mistake Joan Rivers dying, don’t tell me that it wasn’t.  Howard Stern spoke and then Deborah Norville took the stage and talked about her husband Carl a lot. Deborah Norville was friends with Joan and they used to go on vacations together.  It did not feel like a funeral, it felt like a celebration of Joan’s life.  Not that it wasn’t somber, people were sad. On 9/11 I don’t want to say that an 81 year-old passing away was tragic, but it really was horrible. Is that better than tragic?  Does tragic denote things that are aberrant?  I don’t think it was meant to happen with Joan.  I have all of these ideas, they call it ‘shoulding’.  I have a lot of ‘shoulds.’ You can always tell when it’s somebody’s time, like Michael Jackson. I don’t mean to sound callous but I’m so glad he’s dead. Thank god.  He had suffered for at least ten years too long.  He was done.  When he passed, oh thank god! Now we can begin.
  
It was a celebration of Joan's life.  Deborah Norville told stories about funny things Joan used to do and there were a lot of them.  She would pull a lot of pranks on her friends. Joan also loved money, and loved living beautifully.  She liked her creature comforts.  She was a particular kind of creature. That lent itself to stories the Deborah told that would begin with, “We were on a hot air balloon with the Forbes brothers one time.”  What? That wasn’t the point of the story. The point was the balloon was weighed down by the wind and Joan said, “Oh my god, I lost the baby.” It was funny and also so ahead of its time.Deborah Norville talked about Carl so much, so so much. Joan used to call her and Carl Ken and Barbie.  Is that a compliment?
+
It was a celebration of Joan life.  Deborah Norville told stories about funny things Joan used ot do and there were a lot of them.  She would pull a lot of pranks on her friends. Joan also loved money, and loved living beautifully.  She liked her creature comforts.  She was a particular kind of creature. That lent itself to stories the Deborah told that would begin with, “We were on a hot air balloon with the Forbes brothers one time.”  What? That wasn’t the point of the story. The point was the balloon was weighed down by the wind and Joan said, “Oh my god, I lost the baby.” It was funny and also so ahead of its time.Deborah Norville talked about Carl so much, so so much. Joan used to call her and Carl Ken and Barbie.  Is that a compliment?
  
 
Joan’s friend Margie Stern spoke.  Her daughter made the Joan Rivers documentary which is fabulous. Cindy Adams spoke beautifully. She was funny and great.  Cindy Adams also mentioned in, in passing, that Judge Judy and Joan Rivers used to take vacations together including to but not limited to Colonial Williamsburg.  Let me repeat that Cindy Adams, Joan Rivers, and Judge Judy Sheindlin would go to Colonial Williamsburg together on a girl’s trip just the three of them.  Can you imagine being the town crier, the summer stock actor going to your job as the town crier  and then seeing Joan Rivers, Judge Judy and Cindy Adams? Good Morrow…
 
Joan’s friend Margie Stern spoke.  Her daughter made the Joan Rivers documentary which is fabulous. Cindy Adams spoke beautifully. She was funny and great.  Cindy Adams also mentioned in, in passing, that Judge Judy and Joan Rivers used to take vacations together including to but not limited to Colonial Williamsburg.  Let me repeat that Cindy Adams, Joan Rivers, and Judge Judy Sheindlin would go to Colonial Williamsburg together on a girl’s trip just the three of them.  Can you imagine being the town crier, the summer stock actor going to your job as the town crier  and then seeing Joan Rivers, Judge Judy and Cindy Adams? Good Morrow…
Line 68: Line 67:
 
In between the funeral and going to her apartment for a service I went downtown and watched the '''Big Chill''' for the first time.  That movie, I will tell you this, is garbage.  If you have the nerve to say to my face that the '''Big Chill''' is a good movie I will say, “Stuff it Gramps.”  It may have once been perceived by baby boomers as a good movie.  It is not.  It is a Robert Frost poem top white people.  It’s like an ode by a heavy handed schlock artist. Why kick Robert Frost?  Let’s say…no fuck Robert Frost, throw him under the bus.
 
In between the funeral and going to her apartment for a service I went downtown and watched the '''Big Chill''' for the first time.  That movie, I will tell you this, is garbage.  If you have the nerve to say to my face that the '''Big Chill''' is a good movie I will say, “Stuff it Gramps.”  It may have once been perceived by baby boomers as a good movie.  It is not.  It is a Robert Frost poem top white people.  It’s like an ode by a heavy handed schlock artist. Why kick Robert Frost?  Let’s say…no fuck Robert Frost, throw him under the bus.
  
The '''Big Chill''' is about white people getting older and having a very hard time of it. Kevin Kline wears very short shorts and attempts a Southern accent.  He’s married to Glen Close who does her thing of just looking really blessed out and slit-eyed throughout the whole movie, but she also bakes and cries in the shower at one point.  At the end she gives Kevin Kline permission to fuck their friend because she wants a baby.  That’s horrible because she says, “You can spend the night with her.” Then they are smiling at each other knowingly and you think ugh!  Burn it to the ground, honestly, give the keys to the millennials.  Jeff Goldblum is disgusting in it. He keeps trying to have sex with a constantly stretching Jennifer Tilly who looks like the Vietnamese lady boy that William Hurt’s character brought back from Vietnam.  William Hurt plays someone who is mysteriously impotent.  We are never told why he’s impotent.  We just know he went to Vietnam and his dick doesn’t work. He does coke and he has an earring.  That’s enough for the math.  That movie is a lot. I hated it.  The Motown is so patronizing.
+
The '''Big Chill''' is about white people getting older and having a very hard time of it. Kevin Kline wears very short shorts and attempts a Southern accent.  He’s married to Glen Close who does her thing of just looking really blessed out and slit-eyed throughout the whole movie, but she also bakes and cries in the shower at one point.  At the end she gives Kevin Kline permission to fuck their friend because she wants a baby.  That’s horrible because she says, “You can spend the night with her.” Then they are smiling at each other knowingly and you think ugh!  Burn it to the ground, honestly, give the keys to the millenials.  Jeff Goldblum is disgusting in it. He keeps trying to have sex with a constantly stretching Jennifer Tilly who looks like the Vietnamese lady boy that William Hurt’s character brought back from Vietnam.  William Hurt plays someone who is mysteriously impotent.  We are never told why he’s impotent.  We just know he went to Vietnam and his dick doesn’t work. He does coke and he has an earring.  That’s enough for the math.  That movie is a lot. I hated it.  The Motown is so patronizing.
  
Can you imagine the chutzpah to score your white person circle jerk with the songs of black people you grew up with and had nostalgia for, yet knew it belonged in its place as background music while you did the dishes joyfully.  I hate every song in that movie because it was in that movie.  I grew up listening to the Big Chill soundtrack in my parents’ cars.  They had the cassette and I loved those songs as a kid.  I listened to them too much.  I over stretched my taste tendons.  Having returned to the original context from which they were birthed, I spit on the ground.  
+
Can you imagine the chutzpah to score your white person circle jerk with the songs of black people you grew up with and had nostalgia for, yet knew it belonged in its place as background music while you did the dishes joyfully.  I hate every song in that movie because it was in that movie.  I grew up listening to the Big Chill soundtrack in my parents’ cars.  They had the cassette and I loved those songs as a kid.  I listened to them too much.  I over stretched my taste tendons.  Having returned ot the original context from which they were birthed, I spit on the ground.  
 
   
 
   
I did however like Glenn Close’s hair.  I liked her perm.  Her bangs could have been longer. Mary Kay Place—I don’t have anything to say about her that haven’t already said or implied on this podcast in the past.  There’s a lot of smoking inside of the house.  There’s a child in the first scene, he never comes back.  There are sneakers.  It’s so stupid. It’s stupid and it sucks.  Nothing means anything.
+
I did however like Glen Close’s hair.  I liked her perm.  Her bangs could have been longer. Mary Kay Place—I don’t have anything to say about her that haven’t already said or implied on this podcast in the past.  There’s a lot of smoking inside of the house.  There’s a child in the first scene, he never comes back.  There are sneakers.  It’s so stupid. It’s stupid and it sucks.  Nothing means anything.
 
 
 
Then 9/11 happens.  Are you equipped because you know Whiter Shade of Pale? You don’t know anything. These baby boomers, I’ll tell you.  You’re killing yourself over something that isn’t real.  Growing up is so hard because you have to let go of authenticity.  Was there ever authenticity? Of course there is.  We’re authentic. Then there’s a line, “You were always the pretty one.”  Oh my god, none of this is real.  If you related to an aging group of friends but thing, “She was always the pretty one.”  Fucking kill yourself. I don’t even care, if that’s real to you then fuck you.  If you exist to have crappy movies resonate with you, you’re ruining everything.  Knock it off baby boomers; you don’t know what’s authentic because you haven’t known what’s cool since Bob Dylan and the Beatles.  You really haven’t.  
 
Then 9/11 happens.  Are you equipped because you know Whiter Shade of Pale? You don’t know anything. These baby boomers, I’ll tell you.  You’re killing yourself over something that isn’t real.  Growing up is so hard because you have to let go of authenticity.  Was there ever authenticity? Of course there is.  We’re authentic. Then there’s a line, “You were always the pretty one.”  Oh my god, none of this is real.  If you related to an aging group of friends but thing, “She was always the pretty one.”  Fucking kill yourself. I don’t even care, if that’s real to you then fuck you.  If you exist to have crappy movies resonate with you, you’re ruining everything.  Knock it off baby boomers; you don’t know what’s authentic because you haven’t known what’s cool since Bob Dylan and the Beatles.  You really haven’t.  
  

Please note that all contributions to How Was Your Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see How Was Your Wiki:Copyrights for details). Do not submit copyrighted work without permission!

To edit this page, please answer the question that appears below (more info):

Cancel Editing help (opens in new window)